#Michael Weitz

[cultfaction]

Despiser Collector's Edition Bluray is coming this October!

Philips Cook’s Despiser is an eccentric, non-stop menagerie of machine gun battles, early CGI masterwork with an endless array of monsters that make it one of the most unique direct to video features of the VHS and early DVD era. Cook painstakingly crafts a green screen netherworld steeped in brutal violence, religious mythology and action movie tropes, all filtered through a dream-like,…

[flashfuckingflesh]

EVIL Doesn't Want You to Be All That You Can Be! "Despiser" reviewed! (Visual Vengeance / Blu-ray)

The “Despiser” Collector Edition Blu-ray Is a Must Own! Gordon Hauge is an inspirating artist with little motivation.  Having just lost his contract work, being evicted from his home, and his wife leaving him, Gordon is left with virtually nothing, even no purpose.  While speeding home late a night, Gordon swerves to avoid pedestrians in the road and crashes his car, waking up in a…

[tarotx]

8/10

📽️ Operation Finale (2018)

This movie was so interesting! It was extremely detailed and easy to follow. It wasn’t super action-packed, although there was some action; but it kept my interest the whole time. The fact that it’s based on a true story just makes it even better, especially since I learned some things I never knew about Israel after World War II. I would definitely recommend this movie especially if you’re someone who is interested in history.

Sex/nudity: 2/10 (kissing, woman briefly seen in a bra)

Language: 4/10 (one f word and several other curse words)

Violence: 7/10 (gory violence vividly described but not seen, other violence including torture seen on screen)

Overall rating: 7/10

[sleepysera]

"As important as food fermentation has been for most of human history we've had no idea what these creatures looked like, nor that they even existed. It wasn't until the late 1600s that a Dutch scientist by the name Antonie van Leeuwenhoek got to see the kind of zoomed-in picture of microbes that we just saw in our sauerkraut. As a textile merchant, Leeuwenhoek had perfected the art of grinding lenses to help him see the quality of fabrics in detail. One day he decided to put a drop of Delft canal water under the lens. What he saw must have been astounding--multitudes of tiny creatures moving around! A new world, just on a smaller scale. And not so different from the world in our mead and sauerkraut."

-Michael Brenner, Pia Sörensen, and David Weitz, Science and Cooking (2020)

[learabeau]

2024 – Liste Culturelle

JANVIER

LIVRES

L'art et la psychanalyse de Freud à Lacan par Anita Izcovich

Rêves de paysage par Claudine Bertrand

Flipette & Vénère de Lucrèce Andreae

Lettres à une jeune Poétesse. Correspondance avec Anita Forrer (1920 – 1926) de Rainer Maria Rilke

Le joueur d'échecs de Stefan Zweig

Lettres à un jeune poète de Rainer Maria Rilke

Aurore, Ulysse … Les Centaures N°1 La porte du néant par Seron

FILMS

Diane Wellington d'Arnaud des Pallières

Rythmasspoetry de Jeremy Deller et Cecilia Bengolea

Les Yeux carrés de Louison Assié et Laure Massiet du Biest

What happened, Miss Simone ? de Liz Garbus

Patinoire de Gilles Carle

10 minutes de vie d'Herz Frank

Le Seigneur des anneaux : La Communauté de l'Anneau de Peter Jackson

Bedtime Stories : Trains de Harun Farocki

Bedtime Stories : Bateaux de Harun Farocki

What Men Want d'Adam Shankman

Bedtime Stories : Ponts de Harun Farocki

Le Passage du col de Marie Bottois

Ballerina de Lee Chung-hyeon

I Don't Feel at Home Anywhere Anymore de Viv Li

Mon beau-père et moi de Jay Roach

They Do Not Exist de Mustafa Abu Ali

FEVRIER

LIVRES

La Magie de la Nature. Se relier au pouvoir des éléments, de la Lune et des plantes par Lindsay Squire

Éditeurs de notre temps. Entretiens réalisés par Nicolas Querci

Mafalda 1 de Quino

Je suis un poltron de Johann Guyot

Mama Elefante es genial de Gabriela Keselman et illustré par Claudia Bielinsky

FILMS

Angle mort de Lotfi Achour

All Inclusive de Corina Schwingruber Ilic

Somme des choses de Mohammadreza Farzad

Indes Galantes de Philippe Béziat

Retour à Séoul de Davy Chou

Afrique 50 de René Vautier

Love, Dad de Diana Cam Van Nguyen

Sans toit ni loi d'Agnès Varda

La Vie sexuelle de mamie de Urska Djukic et Émilie Pigeard

Et les chiens se taisaient de Sarah Maldoror

O saisons, ô châteaux d'Agnès Varda

Plaisir d'amour en Iran d'Agnès Varda

Du côté de la côte d'Agnès Varda

Réponse de femmes d'Agnès Varda

Boy de Yalda Alsah et Ginan Seidl

MARS

LIVRES

Le style dans le cinéma documentaire entretiens recueillis par l'association ADDOC

Réensauvagez-vous ! D'Andreas Weber et Hildegard Kurt

De la tyrannie du cartel de Philippe Comar

FILMS

Un espagnol à Paris, Paco Ibañez de Bernard Bouthier

Hercules de Ron Clements et John Musker

The Silence of The Banana Trees d'Eneos Carka

In Flow of Words d'Eliane Esther Bots

I Don't Feel at Home Anywhere Anymore de Viv Li

Behemoth : or the name of God de Lemohang Jeremiah Mosese

L'indomptable feu du printemps de Lemohang Jeremiah Mosese

Mon beau-père et nous de Paul Weitz

Mobiliser de Caroline Monnet

Cinzas e nuvens de Margaux Dauby

REW-FFWD de Denis Villeneuve

Vampire humaniste cherche suicidaire consentant d'Ariane Louis-Seize

Nos plus belles années de Sydney Pollack

Immaculée de Michael Mohan

AVRIL

LIVRES

Azimut T.1 Les aventuriers du temps perdu par Wilfrid Lupano et Jean-Baptiste Andreae

Azimut T.2 Que la belle meure par Wilfrid Lupano et Jean-Baptiste Andreae

Azimut T.3 Les anthropotames du Nihil par Wilfrid Lupano et Jean-Baptiste Andreae

Sous les Arbres. L'automne de Monsieur Grumpf de Dav

Jade sauve la forêt fabuleuse d'Alexandre Jardin, Fred Multier et Stéphanie Ronzon

Azimut T.4 Nuées noires, voile blanc par Wilfrid Lupano et Jean-Baptiste Andreae

Azimut T.5 Derniers frimas de l'hiver par Wilfrid Lupano et Jean-Baptiste Andreae

Le Dialogue de Simon Johannin

Hallow T.1 La dernière nuit d'Halloween de Cazenove et Ood Serrière

500 affiches de Mai 68 par Vasco Gasquet

Ce monde-là. Voyage aux frontières du photojournalisme des éditions Loco / Emi

Mélusine T.1 Sortilèges de Clarke et Gilson

Intranqu'îllités N°5 Eros par auteurs multiples (magazine)

FILMS

Malcolm X de Spike Lee

Nosferatu, fantôme de la nuit de Werner Herzog

La Demoiselle et le Dragon de Juan Carlos Fresnadillo

Un taxi pour Reykjavik de Damien Peyret

La BM du Seigneur de Jean-Charles Hue

Dune de Denis Villeneuve

Fabbricante di lacrime d'Alessandro Genovesi

8 Mile de Curtis Hanson

Lil' Buck Real Swan de Louis Wallecan

LOL (Laughing Out Loud) de Lisa Azuelos

Pretty Woman de Garry Marshall

L'arrestation de C. d'Arthur Jaquier

Mon voisin Abdi de Douwe Djikstra

Five d'Igor Gotesman

Her Job de Nikos Labôt

Le Barrage d'Ali Cherri

La Grande Vadrouille de Gérard Oury

PODCAST

Dingue. Dépendance affective : attachement et réciprocité du journaliste Adrien Zerbini

MAI

LIVRES

Verdad de Lorena Canottiere

Une vie de Simone Veil

La légende de Saigyô traduit du japonais et présenté par René Sieffert

FILMS

Disneyland, mon vieux pays natal d'Arnaud des Pallières

Sound of metal de Darius Marder

Godzilla d'Ishiro Honda

Brisby et le secret de NIMH de Don Bluth

Madame Lulu de Morgane Lincy-Fercot

JUIN

LIVRES

Laura, Lizzie & les Hommes-Gobelins de Christina Rosseti, Clémentine Beauvais et Digiee

Mes merveilles d'Else Lasker-Schüler traduit par Guillaume Deswarte

C'est comme ça qu'on fait un film de Tim Grierson

La conjecture de Karinthy de Michel Viegnes

FILMS

Grâce à Dieu de François Ozon

Average Happiness de Maja Gehrig

Claire, faire corps d'Arnaud Le Hesran

Mars Express de Jérémie Périn

Nathan, juste là d'Elya Serres

Supervision de Primitivi

JUILLET

LIVRES

Auguste Rodin de Rainer Maria Rilke

Un drôle de truc pas drôle de Giula Sagramola

Une certaine tendance du cinéma documentaire par Jean-Louis Comolli

La Mélodie de l'amour et de la mort du cornette Christoph Rilke par Rainer Maria Rilke

FILMS

Sainte Marie du Mont : kilomètre zéro zéro par Claude Goretta et Gilles Perrault

Non de Didier Nion

Backflip de Nikita Diakur

Letter to a pig de Tal Kantor

Kingdom of the Planet of the Apes de Wes Ball

Dune. Part Two de Denis Villeneuve

Pirates des Caraïbes : la légende du Black Pearl par Gore Verbinski

AOUT

LIVRES

160000 enfants. Violences sexuelles et déni social d’Édouard Durand

« On ne peut pas accueillir toute la misère du monde » En finir avec une sentence de mort de Pierre Tevanian et Jean-Charles Stevens

Désobéissance climatique de Sandra Laugier et Albert Ogien

Les écoféminismes d’Élise Thiébaut

FILMS

Pirates des Caraïbes : Le Secret du coffre maudit par Gore Verbinski

Pirates des Caraïbes : Jusqu'au bout du monde par Gore Verbinski

Pirates des Caraïbes : La Fontaine de Jouvence par Rob Marshall

Pirates des Caraïbes : La Vengeance de Salazar par Jooachim Ronning et Espen Sandberg

Super par James Gunn

Furiosa : A Mad Max Saga par George Miller

Doomsday de Neil Marshall

Shrek par Andrew Adamson et Vicky Jenson

Shrek 2 par Andrew Adamson, Kelly Asbury et Conrad Vernon

Pauvres Créatures de Yorgos Lanthimos

Élémentaire de Peter Sohn

Cowboy Bebop : Knockin' on Heaven's Door de Shin'ichiro Watanabe

Discours de bienvenue de Norman McLaren par Norman McLaren

Promising Young Woman par Emerald Fennell

Saltburn par Emerald Fennell

Zoom cosmique d'Eva Szasz

Memories of Murder par Bong Joon-ho

Venom : Let There Be Carnage par Andy Serkis

NDDJ (Notre-Dame-du-Jambon) par Grace D. Singh et Sita Singh

Aquaman et le Royaume perdu par James Wan

Vice-Versa 2 par Kelsey Mann

X par Ti West

MaXXXine par Ti West

Erin Brockovich, seule contre tous par Steven Soderbergh

SEPTEMBRE

LIVRES

L'âge d'or Volume 1 de Curil Pedrosa et Roxanne Moreil

Le féminisme ou la mort de Françoise d'Eaubonne

FILMS

Deadpool et Wolverine par Shawn Levy

Pearl par Ti West

The Witch par Robert Eggers

The Northman par Robert Eggers

Star Wars, épisode V : L'Empire contre-attaque par Irvin Kershner

Sortir de l'amour romantique comme seul modèle de société par la journaliste Salomé Saqué

Star Wars, épisode III : La Revanche des Sith de George Lucas

Harry Potter and the Philosopher's Stone par Chris Colombus

Una volta ancora par Giulia Di Maggio

White power, au cœur de l’extrême droite européenne par Christophe Cotteret

Barbare par Zach Cregger

Jeanne du Barry par Maïwenn

La Terre est habitée !, par Kaj Pindal et Les Drew

The Game par David Fincher

The Crow par Rupert Sanders

Petite Leçon de cinéma : le documentaire par Jean-Stéphane Bron

A Girl Walks Home Alone at Night par Ana Lily Amirpour

Under the Silver Lake par David Robert Mitchell

Strangers par Tony Dean Smith

Blink Twice par Zoë Kravitz

Histoire de mon pays d'enfance par Marine Mabila

L’illusionniste par Alain Cavalier

Outlaw King : Le roi hors-la-loi par David Mackenzie

Under The Lake par Thanasis Trouboukis

God Bless America par Bobcat Goldthwait

King of Thieves par James Marsh

Beetlejuice par Tim Burton

Astartes par Syama Pederson

Lady Bird par Greta Gerwig

The Killer par David Fincher

Finestkind par Brian Helgeland

Wolfs par Jon Watts

Trap par Night Shyamalan

Apartment 7A par Natalie Erika James

SERIE

Godless par Scott Franck

OCTOBRE

LIVRES

Lettres autour d'un jardin par Rainer Maria Rilke

Pour le droit de vote dès la naissance de Clémentine Beauvais

FILMS

Depuis, je vole par Aylin Gökmen

Speak No Evil par Christian Tafdrup

The Wasp par Guillem de Morales d'après une pièce de Morgan Lloyd Malcolm

The Green Knight par David Lowery

Reptile par Grant Singer

Just Mercy par Destin Daniel Cretton

Le Collectionneur par Gary Fleder

Essai de reconstitution des 46 jours qui précédèrent la mort de Françoise Guiniou par Christian Boltanski

Julie and Julia par Nora Ephron

Mindscape par Jorge Dorado

Bloodshot par Dave Wilson

Hellboy : The Crooked Man par Brian Taylor

Fair Play par Chloe Domont

The Highwayman par John Lee Hancock

The Final Girls par Todd Strauss-Schulson

Come to Daddy par Ant Timpson

Spree par Eugene Kotlyarenko

Car Wash de Laïs Decaster

Beetlejuice Beetejuice par Tim Burton

Alien : Romulus par Fede Alvarez

Bad Genius par J.C. Lee

La Famille Addams par Barry Sonnenfeld

Carrie au bal du diable par Brian de Palma

Jennifer's body par Karyn Kusama

I Came By parBabak Anvari

Le Mangeur d'âmes par Alexandre Bustillo et Julien Maury

Addams Family Values par Barry Sonnenfeld

Une affaire de détails par John Lee Hancock

Scream par Wes Craven

Scream 2 par Wes Craven

Halloween : La Nuit des masques par John Carpenter

Massacre à la tronçonneuse par Tobe Hooper

A Nightmare on Elm Street par Wes Craven

La colline a des yeux par Wes Craven

Evil Dead par Sam Raimi

SERIE

Mercredi par Tim Burton, James Marshall et Gandja Monteiro

NOVEMBRE

LIVRES

Les idendités meurtrières d'Amin Maalouf

La haine du poil par Juliette Mancini, Sara Piazza et Alexia handon-Piazza

In Humus par Lina Sterte

Errance par Raymond Depardon

FILMS

The Irishman par Martin Scorsese

Don't Move par Adam Schinfler et Brian Netto

Vole, vole tristesse par Miryam Charles

I Care a Lot par J Blakeson

Halloween par David Gordon Green

Nocturnal Animals par Tom Ford

The Pale Blue Eyes par Scott Cooper

Zombie de George Andrew Romero

Le Comte de Monte-Cristo par Alexandre de La Patellière et Matthieu Delaporte

Vendredi 13 par Sean S.Cunningham

La colline a des yeux par Alexandre Aja

La Mécanique de l'ombre par Thomas Kruithof

Ephémères par Yuki Kawamura

In the Shadow of the Moon par Jim Mickle

Assassination Nation par Sam Levinson

The Substance par Coralie Fargeat

Harry Potter et la Chambre des secrets par Chris Colombus

Harry Potter et le Prisonnier d'Azkaban par Alfonso Cuaron

Harry Potter et la Coupe de feu par Mike Newell

Harry Potter et l'Ordre du Phénix par David Yates

Project X par Laura Poitras et Henri Moltke

Harry Potter et le Prince de sang-mêlé par David Yates

Harry Potter et les Reliques de la Mort, partie 1 par David Yates

Les cow-boys sont noirs de Serge Moati

Harry Potter et les Reliques de la Mort, partie 2 par David Yates

The Lord of the Rings : The Fellowship of the Ring par Peter Jackson

The Lord of the Rings : The Two Towers par Peter Jackson

The Lord of the Rings : The Return of the King par Peter Jackson

La Chapelle du Diable par Evan Spiliotopoulos

The Wonder par Sebastian Lelio

Le Roi Arthur : La légende d'Excalibur par Guy Ritchie

Le Dernier Voyage du Demeter par André Ovredal

Yannick par Quentin Dupieux

The Hunt par Craig Zobel

Elizabeth : L'Âge d'or par Shekhar Kapur

Glass Onion : Une histoire à couteaux tirés par Rian Johnson

Largo Winch : Le Prix de l'argent par Olivier Masset-Depasse

The Gray Man par Anthony et Joe Russo

DECEMBRE

LIVRES

Werner Bischof par Claude Roy

Elégie de Marienbad par Goethe

Le Doudou méchant par Claude Ponti

Histoires pragoises par Rainer Maria Rilke

FILMS

Le dernier des Mohicans par Michael Mann

Time Cut par Hannah Macpherson

SOS Fantômes : La Menace de Glace par Gil Kenan

Venom : The Last Dance par Kelly Marcel

Marie par D. J. Caruso

Sans identité par Jaume Collet-Serra

Heretic par Scott Beck et Bryan Woods

Reminiscence par Lisa Joy

An American Pickle par Brandon Trost

Renfield par Chris McKay

Carry-On par Jaume Collet-Serra

Céline (En français dans le texte) par Louis Pauwels et Yann Jouannet

Cold Blood Legacy : La Mémoire du sang par Frédéric Petitjean

Loups-garous par François Uzan

Le Seigneur des Anneaux : La Guerre des Rohirrim par Kenji Kamiyama

Oppenheimer par Christopher Nolan

SERIE

Stranger Things par Matt et Ross Duffer

[usagirotten]

The Creator (2023) sci-fi movie trailer

20th Century Studios has released the trailer for The Creator, the new film from director Gareth Edwards. The 20th Century Studios' upcoming feature The Creator, AI takes on an even more dangerous form: technology fully capable of waging war against humanity. So, it's up to one man (John David Washington), to find the mind behind the AI. Ahead of the film's release on September 29, 20th Century Studios released the first teaser trailer.  The trailer for Gareth Edwards’ new film shows humanity being outsmarted by AI – and is released just as our overlords-to-be are rearing their terrifying heads The trailer opens on a vast area surrounded by water and futuristic type buildings. A young child asks Washington's character, Joshua, about heaven, and whether Joshua will ever go there. His answer, "it's a peaceful place in the sky," is starkly contrasted by a raging war, complete with explosions, gunfire, and an intense rendition of Aerosmith's "Dream On." As the trailer continues, it reveals humanity has been at war with the AI for a decade, and there are no indicators of it slowing down. Eventually, though, Joshua pins down an important weapon, sending him into a crisis of conscience. Despite said weapon being AI, it seems the movie will also beg the question of just how capable AI is of humanity -- and whether it should be destroyed. The film was written, directed, and produced by Gareth Edwards, who devised the story and co-wrote the screenplay with Chris Weitz. Edwards produced alongside Kiri Hart, Jim Spencer, and Arnon Milchan. Executive producers include Yariv Milchan, Michael Schaefer, Natalie Lehmann, Nick Meyer, and Zev Foreman. Alongside Washington and Chan, the film stars Ken Watanabe, Sturgill Simpson, Allison Janney, and newcomer Madeleine Yuna Voyles. Read the full article

[noybusiness]

@anyathefandom Yes, exactly. They teased Michael getting into Sonny's business a few times (ex. that time he bought a gun to go after Abby's attacker with and talked with the Zaccharas, that time he represented the Corinthos family at a meeting of Port Charles's Five Families while Sonny was in the hospital, that time Kristina found him sitting in Sonny's chair in Sonny's office) and they should have done it.

Having him embrace A.J. and his biological Quartermaine family business was a mistake that made Michael less interesting. And after he'd outright said he would have hated growing up in the Quartermaine house, too. And they'd even had a plotline with him trying the junior executive thing when Edward gave him a job and being bored with it, back when he was dating Abby.

Give. Me. Mobster!Michael. That's all i want. Period.

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 8 / 10

Título Original: Faults

Año: 2014

Duración: 90 min

País: Estados Unidos  

Dirección: Riley Stearns

Guion: Riley Stearns

Música: Heather McIntosh

Fotografía: Michael Ragen

Reparto:  Mary Elizabeth Winstead, Leland Orser, Lance Reddick, Jon Gries, Beth Grant, Nicholas Tucci, David Chandler, Leonard Earl Howze, Shira Weitz, Kellie Matteson, Amanda Saunders, Suzan Averitt, Chris Ellis

Productora: Snoot Entertainment. Distribuidora: Screen Media Films

Género: Drama; Mistery; Thriller

https://www.imdb.com/title/tt3021360/

TRAILER:

[why-bull-the-fashion-demon]

Movies I watched in 2024

January

1/4: Broker (2022, dir. Hirokazu Kore-eda)

1/13: Tomorrow Never Dies (1997, dir. Roger Spottiswoode)

1/14: Sharper (2023, dir. Benjamin Caron)

1/17: Wildlife (2018, dir. Paul Dano)

1/18: Dalíland (2022, dir. Mary Harron)

1/23: Killers of the Flower Moon (2023, dir. Martin Scorsese)

1/24: The Conjuring: The Devil Made Me Do It (2021, dir. Michael Chaves)

February

2/8: The Prestige (2006, dir. Christopher Nolan)

2/9: The Marvels (2023, dir. Nia DaCosta)

2/10: The Bodyguard (1973, dir. Ryuichi Takamori)

A View To A Kill (1985, dir. John Glen)

2/11: The World Is Not Enough (1999, dir. Michael Apted)

2/12: Die Another Day (2002, dir. Lee Tamahori)

The Holdovers (2023, dir. Alexander Payne)

2/13: Asteroid City (2023, dir. Wes Anderson)

Licence To Kill (1989, dir. John Glen)

2/14: The Spy Who Loved Me (1977, dir. Lewis Gilbert)

2/15: From Russia With Love (1963, dir. Terence Young)

2/17: On Her Majesty’s Secret Service (1969, dir. Peter Hunt)

Live And Let Die (1973, dir. Guy Hamilton)

2/18: Goldfinger (1964, dir. Guy Hamilton)

For Your Eyes Only (1981, dir. John Glen)

2/19: Moonraker (1979, dir. Lewis Gilbert)

2/21: The Man With The Golden Gun (1974, dir. Guy Hamilton)

2/22: Dr. No (1962, dir. Terence Young)

The Living Daylights (1987, dir. John Glen)

2/28: Thunderball (1965, dir. Terence Young)

2/29: Diamonds Are Forever (1971, Guy Hamilton)

March

3/04: Karate Killer (1973, dir. Ryuichi Takamori)

3/07: Napoleon (2023, dir. Ridley Scott)

3/09: Never Say Never Again (1983, dir. Irvin Kershner)

3/10: Wonka (2023, dir. Paul King)

3/11: Poor Things (2023, dir. Yorgos Lanthimos)

3/12: American Fiction (2023, dir. Cord Jefferson)

3/14: Mean Girls (2024, dir. Samantha Jayne and Arturo Perez, Jr.)

3/15: Bad City (2022, dir. Kensuke Sonomura)

Love Lies Bleeding (2024, dir. Rose Glass)

3/17: The Assassins (2012, dir. Zhao Linshan)

3/20: Clear and Present Danger (1994, dir. Phillip Noyce)

3/21: Weathering With You (2019, dir. Makoto Shinkai)

3/28: Arrival (2016, dir. Denis Villeneuve)

3/29: The Iron Lady (2011, dir. Phyllida Lloyd)

3/31: The Last Temptation of Christ (1988, dir. Martin Scorsese)

April

4/1: Silence (2016, dir. Martin Scorsese)

4/2: Andrei Rublev (1966, dir. Andrei Tarkovsky)

4/3: Blockers (2018, dir. Kay Cannon)

4/6: Anatomy of a Fall (2023, dir. Justine Triet)

4/8: The Zone of Interest (2023, dir. Jonathan Glazer)

4/16: Yakuza Wolf 2 (1972, dir. Buichi Saito)

4/17: Demonlover (2002, dir. Olivier Assayas)

4/24: Dragnet Girl (1933, dir. Yasujiro Ozu)

4/27: Infernal Affairs (2002, dir. Andrew Lau and Alan Mak)

May

5/2: Aloners (2022, dir. Hong Sung-eun)

5/3: The Beekeeper (2024, dir. David Ayer)

5/4: Mallrats (1995, dir. Kevin Smith)

Spaceballs (1987, dir. Mel Brooks)

5/5: Fast Times at Ridgemont High (1982, dir. Amy Heckerling)

5/8: Juno (2007, dir. Jason Reitman)

5/12: The Royal Tenenbaums (2001, dir. Wes Anderson)

5/13: Rushmore (1998, dir. Wes Anderson)

5/14: The Darjeeling Limited (2007, dir. Wes Anderson)

5/15: The Life Aquatic With Steve Zissou (2004, dir. Wes Anderson)

5/18: Thank You For Smoking (2005, dir. Jason Reitman)

5/19: Jay and Silent Bob Strike Back (2001, dir. Kevin Smith)

5/20: Elvis (2022, dir. Baz Luhrman)

Dune: Part One (2021, dir. Denis Villeneuve)

5/21: Dune: Part Two (2024, dir. Denis Villeneuve)

American Pie (1999, dir. Chris and Paul Weitz)

5/23: The French Dispatch (2021, dir. Wes Anderson)

5/27: Dune (1984, dir. David Lynch)

5/28: Priscilla (2023, dir. Sofia Coppola)

5/29: Lost in Translation (2003, dir. Sofia Coppola)

June

6/2: Madame Web (2024, dir. S.J. Clarkson)

6/3: Lisa Frankenstein (2024, dir. Zelda Williams)

6/29: Monkey Man (2024, dir. Dev Patel)

July

7/11: Suzume (2022, dir. Makoto Shinkai)

7/18: Booksmart (2019, dir. Olivia Wilde)

Blockers (2018, dir. Kay Cannon)

Bottoms (2023, dir. Emma Seligman)

August

8/1: Challengers (2024, dir. Luca Guadagnino)

8/3: Tampopo (1985, dir. Juzo Itami)

8/9: Late Spring (1949, dir. Yasujiro Ozu)

8/12: Gone Girl (2014, dir. David Fincher)

8/17: Furiosa: A Mad Max Saga (2024, dir. George Miller)

8/17; Perfect Days (2023, dir. Wim Wenders)

Kubi (2023, dir. Takeshi Kitano)

8/18: The Fountain (2006, dir. Darren Aronofsky)

September

9/1: Kinds of Kindness (2024, dir. Yorgos Lanthimos)

9/2: The Grand Budapest Hotel (2014, dir. Wes Anderson)

9/14: Civil War (2024, dir. Alex Garland)

9/21:  I Saw The TV Glow (2024, dor. Jane Schoenbrun)

9/29: High and Low (1963, dir. Akira Kurosawa)

October:

10/5: Street Fighter (1994, dir. Steven E. de Souza)

10/9: Mortal Kombat (1995, dir. Paul W.S. Anderson)

10/11: Terminator 2: Judgment Day (1991, dir. James Cameron)

1013: Mortal Kombat: Annihilation (1997, dir. John R. Leonetti)

10/15: Wayne’s World (1992, dir. Penelope Spheeris)

10/26: Chungking Express (1994, dir. Wong Kar-wai)

10/31: Scream (1996, dir. Wes Craven)

November:

11/8: Theater Camp (2023, dir. Molly Gordon and Nick Lieberman)

11/12: Napoleon (2023, dir. Ridley Scott) (Director’s Cut)

11/14: The Tragedy of Macbeth (2021, dir. Joel Coen)

11/16: Deadpool & Wolverine (2024, dir. Shawn Levy)

The Heroic Trio (1993, dir. Johnnie To)

11/21: La Piscine (1969, dir. Jacques Deray) 

11/27: The Hill (2023, dir. Jeff Celentano)

11/28: Donnie Darko (2001, dir. Richard Kelly)

Alien: Romulus (2024, dir. Fede Alvarez)

December:

12/2: Battles Without Honor And Humanity (1973, dir. Kinji Fukasaku)

12/6: Tokyo Twilight (1957, dir. Yasujiro Ozu)

12/21: Home Alone (1990, dir. Chris Columbus)

12/25: Spencer (2021, dir. Pablo Larraín)

12/28: Joker: Folie á Deux (2024, dir Todd Phillips)

12/31: Look Back (2024, dir. Kiyotaka Oshiyama)

[ontheothersideofthehill]

1968

BRENNER, MICHAEL. “Authenticity and Modernism Combined: Music and the Visual Arts.” In The Renaissance of Jewish Culture in Weimar Germany, 153–84. Yale University Press, 1996. http://www.jstor.org/stable/j.ctt32bvv4.10.

Brenner, Michael, and Derek J. Penslar, eds. In Search of Jewish Community: Jewish Identities in Germany and Austria, 1918-1933. Indiana University Press, 1998. https://doi.org/10.2307/j.ctt200612t.

Canning, Kathleen. “The Politics of Symbols, Semantics, and Sentiments in the Weimar Republic.” Central European History 43, no. 4 (2010): 567–80. http://www.jstor.org/stable/40962727.

Chickering, Roger. “German Modernity and Its (Many) Champions.” The German Quarterly 90, no. 3 (2017): 358–60. http://www.jstor.org/stable/44968559.

DIJN, ANNELIEN de. “THE POLITICS OF ENLIGHTENMENT: FROM PETER GAY TO JONATHAN ISRAEL.” The Historical Journal 55, no. 3 (2012): 785–805. http://www.jstor.org/stable/23263274.

Fishman, Sterling. Review of German Mandarins and Weimar Culture, by Peter Gay and Fritz K. Ringer. History of Education Quarterly 10, no. 3 (1970): 381–86. https://doi.org/10.2307/367532.

Führer, Karl Christian. “German Cultural Life and the Crisis of National Identity during the Depression, 1929-1933.” German Studies Review 24, no. 3 (2001): 461–86. https://doi.org/10.2307/1433411.

Gerwarth, Robert. “The Past in Weimar History.” Contemporary European History 15, no. 1 (2006): 1–22. http://www.jstor.org/stable/20081292.

Griffin, Roger. “From Weimar Modernism to Nazi Modernism?” The German Quarterly 90, no. 3 (2017): 360–63. http://www.jstor.org/stable/44968560.

Leith, James A. “Peter Gay’s Enlightenment.” Eighteenth-Century Studies 5, no. 1 (1971): 157–71. https://doi.org/10.2307/2737948.

Leydecker, Karl, ed. German Novelists of the Weimar Republic: Intersections of Literature and Politics. Boydell & Brewer, 2006. http://www.jstor.org/stable/10.7722/j.ctt81xkv.

PACHTER, HENRY M. “THE INTELLECTUALS AND THE STATE OF WEIMAR.” Social Research 39, no. 2 (1972): 228–53. http://www.jstor.org/stable/40970094.

Tauber, Kurt P. Review of A SCINTILLATING GUIDE, by Peter Gay. The Virginia Quarterly Review 45, no. 1 (1969): 152–55. http://www.jstor.org/stable/26443181.

Weitz, Eric D. “Weimar Germany and Its Histories.” Central European History 43, no. 4 (2010): 581–91. http://www.jstor.org/stable/40962728.

Weitz, Eric D. Weimar Germany: Promise and Tragedy (New and Expanded Edition). Princeton University Press, 2007. http://www.jstor.org/stable/j.ctt285599.

Williamson, George S. “Peter Gay (1923-2015).” Central European History 49, no. 1 (2016): 4–18. http://www.jstor.org/stable/43965625.

[ulkaralakbarova]

In 1960, a team of Israeli secret agents is deployed to find Adolf Eichmann, the infamous Nazi architect of the Holocaust, supposedly hidden in Argentina, and get him to Israel to be judged. Credits: TheMovieDb. Film Cast: Peter Malkin: Oscar Isaac Adolf Eichmann: Ben Kingsley Hanna Elian: Mélanie Laurent Lothar Hermann: Peter Strauss Rafi Eitan: Nick Kroll Isser Harel: Lior Raz Zvi Aharoni: Michael Aronov Ephraim Ilian: Ohad Knoller Yaakov Gat: Torben Liebrecht Klaus Eichmann: Joe Alwyn Sylvia Hermann: Haley Lu Richardson Carlos Fuldner: Pêpê Rapazote David Ben-Gurion: Simon Russell Beale Fruma: Rita Pauls Vera Eichmann: Greta Scacchi Moshe Tabor: Greg Hill Dani Shalom: Michael Benjamin Hernandez Graciela: Rocío Muñoz Annia: Ania Luzarth Annie Werner: Tatiana Rodríguez Herr Werner: Ezequiel Campa Antonio: Aitor Miguens Dvora: Antonia Desplat Film Crew: Director: Chris Weitz Writer: Matthew Orton Producer: Fred Berger Producer: Brian Kavanaugh-Jones Line Producer: Micaela Buye Production Design: David Brisbin Associate Producer: Tom Daley Executive Producer: Ron Schmidt Executive Producer: Matt Charman Costume Design: Connie Balduzzi Director of Photography: Javier Aguirresarobe Producer: Jason Spire Editor: Pamela Martin Producer: Oscar Isaac Set Decoration: Florencia Martin Hairstylist: Florencia Grosso ADR Recordist: Noah Dunbar Sound Effects Editor: Adam Kopald Lighting Artist: Chris Rodriguez Post Production Coordinator: Matthew E. Schneider Transportation Coordinator: Nicolas Pollastri Researcher: Peter Cummings CG Supervisor: Michael Wharton Best Boy Electric: Ramón Cácceres Still Photographer: Valeria Fiorini Music Supervisor: Steven Gizicki Orchestrator: Jean-Pascal Beintus Script Supervisor: Claudia Morgado Escanilla Key Makeup Artist: Karina Camporino ADR Mixer: Michael Miller Special Effects Supervisor: Eduardo Puga Rigging Gaffer: Sebastián Mendelberg First Assistant Director: Ricardo Méndez Matta Special Effects Coordinator: Federico Ransenberg Grip: Ezequiel Cardoni Costume Assistant: Lucia Marmorek Digital Intermediate Producer: Patrick M. Allen Production Coordinator: Flor Colombatti Art Direction: Kendelle Elliott Art Direction: Rick Willoughby Hair Department Head: Suzanne Stokes-Munton Sound Mixer: Javier Farina Digital Compositor: Junyoung Han Assistant Camera: Alejo Giles Electrician: Javier Caña Rigging Grip: José Cangelosi Orchestrator: Nicolas Charron Electrician: Daniel Ring Foley Mixer: Randy Singer Sound Effects Editor: Ando Johnson Supervising Dialogue Editor: Lauren Hadaway Camera Operator: Matías Mesa Assistant Costume Designer: Soledad Muñiz Key Costumer: Pilar Gonzalez Main Title Designer: Michael Riley Boom Operator: Julián Catz Compositing Supervisor: Robert J. Bruce Visual Effects Supervisor: John P. Nugent Orchestrator: Sylvain Morizet Production Assistant: Adrian Fiszbejn Makeup Department Head: Jane Galli Foley Artist: Rick Owens Sound Assistant: Giorgia Garcia-Moreno Weapons Master: Franco Burattini Best Boy Grip: Enrique Vélez Key Grip: Ariel Vélez Post Production Coordinator: Vera Fabrykant Storyboard Artist: Poli Marichal Rigging Grip: Sergio Olmos Post Production Assistant: Max Pankow Art Department Coordinator: Laura Martinez Corfield Assistant Property Master: Mirella Hoijman Sound Assistant: Fernando Cornaglia Second Assistant Camera: Martin Dotta Music Editor: Terry Wilson Concept Artist: Pablo Olivera Digital Compositor: Saeed Faridzadeh Stunt Coordinator: Ariel Arredondo Lopez Dickson Costume Assistant: Juan David Troncoso Post Production Coordinator: Ezequiel Rossi Music Editor: Nevin Seus Picture Car Coordinator: Matias Di Capua Digital Compositor: Patrick O’Keeffe Visual Effects Producer: Edward P. Pedersen Assistant Camera: Karim Kachou Electrician: Julián Cantaro Costume Assistant: Delfina De La Cárcova Assistant Editor: Kevin Bailey Post Production Assistant: Eden Stelmach Transportation Captain: Diego Igartua Casting: Avy Kaufman Production Manager: Rodrigo Cala Matte Painter: Matthew Ribeiro Electrician: Walter Saavedra ADR Voice Casti...

[tvueberregional]

42. Sinsheimer Stadtfest am 20. Juli 2024

42. Sinsheimer Stadtfest am 20. Juli 2024 Organisatoren, Vereine, fliegende Händler und der örtliche Einzelhandel laden Besucher und Gäste aus nah und fern zu Geselligkeit, Flanieren und Genießen in die Sinsheimer Innenstadt ein. Am Samstag, 20. Juli von 11:00 bis 2:00 Uhr wird gemeinsam gefeiert. Eröffnung mit traditionellem Fassbieranstich Oberbürgermeister Jörg Albrecht wird das 42. Sinsheimer Stadtfest am Samstag um 11:00 Uhr mit dem traditionellen Fassbieranstich in der Allee eröffnen, wie gewohnt musikalisch begleitet von der Stadtkapelle. Bühnenprogramm in der Allee  Auf der Bühne in der Allee vor der Musikschule findet den ganzen Tag über Programm mit Tanzvorführungen und Musik statt. Die Holger Weitz Band setzt den musikalischen Schlusspunkt des Tages. Feiermeile in der Sinsheimer Innenstadt Die Sinsheimer Innenstadt wird am Samstagabend beim Stadtfest traditionell zum Treffpunkt für alle Partybegeisterten und Junggebliebenen – Live-Musik, Bars und vieles mehr locken das Partyvolk in die engen Gassen, wo bis in die Nacht gefeiert werden darf. Krämermarkt und Kinderattraktionen Ab Eröffnung des Stadtfests lädt der Krämermarkt in der Hauptstraße zum Stöbern ein. Für Kinder und Junggebliebene gibt es Attraktionen vor Stadtmuseum und Tourist-Info sowie in der gesamten Innenstadt. Von Dosenwerfen bis Bullriding wird vieles geboten. Erstmals gibt es in diesem Jahr einen Sammelpass für Kinder, mit dem sie an den Stationen Stempel sammeln können. Gegen Vorlage der vollständigen Stempelkarte gibt es einen Verzehrgutschein. Auch ein Vergnügungspark, unter anderem mit Kettenkarussell und Bungee-Trampolin erwartet die Besucher.   Abwechslungsreiches kulinarisches Angebot Das kulinarische Angebot der Vereine an Speisen und Getränken ist enorm. Von deftig bis exotisch, von herzhaft bis süß wird vieles geboten: Ob Spanferkel, Pommes und Wurst, Frikadellen mit Fleisch oder vegetarisch, Reis mit Hähnchen-, Lamm- und Linsencurry oder süße Leckereien – für jeden Geschmack ist etwas dabei. Ein Fest für die ganze Familie Einkaufsvergnügen, ausgelassene Partystimmung, vielfältiges kulinarisches Angebot und abwechslungsreiche Bühnendarbietungen: Ein Fest für die ganze Familie. Das Sinsheimer Stadtfest macht es möglich. Bild (Stadt Sinsheim): Mit dem Fassbieranstich in der Allee wird das Sinsheimer Stadtfest traditionell eröffnet (hier: 2023). Bild (Stadt Sinsheim): Der Vergnügungspark bietet Spaß für Jung und Alt auf dem Sinsheim Stadtfest (hier: 2023).                   Programm Stadtfest SINSHEIM 2024 Samstag, 20.07.2024 Bühne Allee 11:00 Uhr Eröffnung durch Oberbürgermeister Jörg Albrecht, es spielt die Stadtkapelle Sinsheim, Leitung: Dirk Rimmler im Anschluss: Siegerehrung Stadtradeln 2024 13:00 Uhr Musical „Tuisi pamoja“ Spatzenchor und Kinderkantorei Evangelische Kirchengemeinde Sinsheim, Leitung: Thomas Braun 14:15 Uhr HipHop-Gruppen des TSC Sunnisheim e.V. Fulminante Shows des Vereins werden das Publikum begeistern. Die Kids im Alter von 5 bis 18+ werden in mehreren Gruppen auftreten, z.B. „No Regrets“ und „Fabulous“ 15:00 Uhr „Goshin Dao“: Kampfkunst und Selbstverteidigung, Leitung: Stefan Prönnecke 15:30 Uhr „The Internationales“ Hip-Hop-Gruppe aus sechs Tänzern, die durch ihre verschiedenen Tanzstile Diversität ausstrahlen wollen 16:00 Uhr Tanzauftritte des TSC Rot Gold Sinsheim e.V. Leitung: Kristina Roth Die Hip-Hop-Gruppen „Happy Feet“, „Vibe up“, „Next Level“, „Sprinkles“, „Youngsters“, „Drop it“, „Vibe up“ und „Shake the Room“ sowie Duos und auch Jugend-Turnierpaare mit lateinamerikanischen Tänzen 17:00 Uhr Grundschulrockband „Rock’n‘School“ Grundschule Hilsbach/Weiler, Schülerinnen und Schüler der 2. bis 4. Klasse Leitung: Andreas Schell 18:00 Uhr „Handgepäck“: Große Songs auf kleinen Instrumenten Ukulelen-Trio: Karl Schramm, Thomas Rudy, Michael Grittmann 19:00 Uhr SMS Big Band Städtische Musikschule Sinsheim Leitung: Jörg Burgstahler Latin-, Swing-, Rock- und Poptitel 21:00 Uhr „Holger Weitz Band“ Leitung: Holger Weitz Die bekannte Band mit unverwechselbaren Sounds und viel Groove entführt das Publikum in eine Welt aus Rock, Pop und Rhythm & Blues.   Bei den Ständen Beim SV Sinsheim (Bahnhofstraße / Zwingergasse) 19:00 – 21:30 Uhr Lehman Brothers Beim THW Sinsheim (Parkdeck) 20:30 Uhr FATE Music Covers   Krämermarkt 11:00 – 20:00 Uhr in der Hauptstraße           Besuchen Sie unsere Seiten von TVueberregional Onlinezeitung und Onlinefernsehen Bekanntmachungen für Gewerbe und Veranstaltung https://blaulicht.tvueberregional.de/ https://tvueberregional.de/ veranstaltung.tvueberregional.de kraichgau.tvueberregional.de youtube.tvueberregional.de videokassetten-retten.tvueberregional.de   Mit den besten Empfehlungen Ihr TVüberregional Team. Für Sie unterwegs! Auf Augenhöhe der Bürger - für die Bürger. Unzensiert berichten.  Lesen Sie den ganzen Artikel

[ajoytobeheld]

New Moon review SPOILER ALERT

November 29th, 2009

So last week I watched two films. New Moon and 2012. Yep. In all honesty the latter was the better film.

John Cusack sleeping his way through another apocalypse fetish film as a limo driver/science fiction writer complete with his estranged family (and the token son who just wont call him dad!) was more entertaining then the tragic romantic love triangle of the human, werewolf and vampire.

So beware, there are SPOILERS HERE. Yes I may have bitched and moaned about these books and films more then anything in recent history but in equal measure I have had goosebumps over the trailers, fawned over the set pictures and put a poster up in my room….(DONT YOU JUDGE ME).

So the film starts and things are pretty much the same in rainy old Forks: Bella is as drippy and obsessed with Edward McConcrete Chest Cullen as ever as he wonders the halls in slow motion looking dreamy, and they can’t kiss for too long because he as much as he loves her he still might rip out her entrails and wear them as a party frock.

Yes my friends, everything seemed to be going swimmingly in the life of K Stew and R Pattz….except for one thing… who is that muscle clad pug nosed of a man with a bad wig? It is Jacob and he has been taking his steroids! Surely he can not interfere in their sickening non penetrative love? BUT ALAS during her birthday party she nearly gets eaten and Edward decides it is not safe for their love to continue so he flees.

Bella decides the only way she can cope is go to mental in a chair for a while, and thus begins the lasiest film making I have seen in a long time SHAME ON YOU CHRIS WEITZ!

It’s boring, its tedious, Bella is only allowed a personality in small tiny doses, and her eyebrows seem weird. Jacob is fetishised in a way no 16 year boy really should be, and seems spends most of the film hanging around topless with his other topless mates talking about he can’t tell Bella about their “secret.” It appears he has joined a chippendale group.

The only good scene in this film is a wooded sequence with a Thom Yorke song backgrounding the evil vampire Victoria prancing about in the woods looking for Bella as the werewolves close in. One good visual scene does not make a movie and it only picks up in interest when they go to see Michael Sheen at the end as the head of the evil Voltari.

Edward Pale Painted on Abs Cullen is absent for most of the film, giving Bella some well needed space to go mental and when he returns at the end you realise that missed old squished nose…. and when Michael Sheen appears to decide whether to punish him for nearly revealing the existance of vampires you realise you miss someone with charisma. Anyway Dakota Fanning is at the end and she has red eyes and when she says pain, people feel in pain.

It ends on a cliffhanger much akin to a bad episode of Sunset Beach and my soul felt heavy with grief.

Do yourself a favor, dont see this film, go on youtube instead and type in Wizard People by Brad Neely. Watch that instead.

Ellen x

[wikiuntamed]

On this day in Wikipedia: Sunday, 22nd October

Welcome, Willkommen, 안녕하세요, Välkommen 🤗 What does @Wikipedia say about 22nd October through the years 🏛️📜🗓️?

22nd October 2021 🗓️ : Death - Peter Scolari Peter Scolari, American actor (b. 1955) "Peter Thomas Scolari (September 12, 1955 – October 22, 2021) was an American actor. He was best known for his roles as Henry Desmond on Bosom Buddies (1980–1982), Michael Harris on Newhart (1984–1990), and Wayne Szalinski on Honey, I Shrunk the Kids: The TV Show (1997–2000). Scolari received three..."

Image licensed under CC BY 3.0? by Cristina V.

22nd October 2017 🗓️ : Death - Paul J. Weitz Paul Weitz, American astronaut (b. 1932) "Paul Joseph Weitz (July 25, 1932 – October 22, 2017) was an American naval officer and aviator, aeronautical engineer, test pilot, and NASA astronaut, who flew into space twice. He was a member of the three-man crew who flew on Skylab 2, the first crewed Skylab mission. He was also commander of the..."

Image by NASA

22nd October 2013 🗓️ : Event - Marriage Equality (Same Sex) Act 2013 The Australian Capital Territory becomes the first Australian jurisdiction to legalize same-sex marriage with the Marriage Equality (Same Sex) Act 2013. "The Marriage Equality (Same Sex) Act 2013 was an act of parliament of the Australian Capital Territory Legislative Assembly that was intended to legalise same-sex marriage in the Australian Capital Territory (ACT). It was first presented to the ACT Legislative Assembly on 19 September 2013 by the..."

Image by Squiresy92 including elements modified from Sodacan

22nd October 1973 🗓️ : Birth - Andrés Palop Andrés Palop, Spanish footballer and manager "Andrés Palop Cervera (Valencian pronunciation: [anˈdɾes paˈlob]; born 22 October 1973) is a Spanish former professional footballer who played as a goalkeeper, currently a manager. After having languished on the bench of hometown club Valencia for most of his stay, he became a premiere player with..."

Image licensed under CC BY-SA 3.0? by Рыбакова Елена

22nd October 1923 🗓️ : Event - Leonardopoulos–Gargalidis coup attempt The royalist Leonardopoulos–Gargalidis coup d'état attempt fails in Greece, discrediting the monarchy and paving the way for the establishment of the Second Hellenic Republic. "The Leonardopoulos–Gargalidis coup attempt (Greek: Κίνημα Λεοναρδόπουλου-Γαργαλίδη) was a failed military coup launched on 22 October 1923 (11 October O.S.) in the Kingdom of Greece by pro-royalist military officers under the Lieutenant Generals Georgios Leonardopoulos and Panagiotis Gargalidis, and..."

22nd October 1821 🗓️ : Birth - Collis Potter Huntington Collis Potter Huntington, American businessman (d. 1900) "Collis Potter Huntington (October 22, 1821 – August 13, 1900) was an American industrialist and railway magnate. He was one of the Big Four of western railroading (along with Leland Stanford, Mark Hopkins, and Charles Crocker) who invested in Theodore Judah's idea to build the Central Pacific..."

Image by

Stephen W. Shaw

22nd October 🗓️ : Holiday - Christian feast day: Theodoret of Antioch "Saint Theodoret or Saint Theodoritus (Greek: Θεοδώρητος, "God given"; died October 22, 362) was a Greek-speaking Syrian Christian priest who died a martyr in Antioch during the reign of Emperor Julian the Apostate. His life is recorded only by apologetic works. His relics were later taken to Uzès in..."

[sleepysera]

"Each macroscopic transformation corresponds to a different molecular transformation. At 63C (145.5F), an egg white protein named ovotransferrin unfolds. As you increase the temperature, other yolk proteins unfold--ovalbumin, ovomucoid, ovoglobulin, and many more. What's so remarkable is that all of these transitions occur within the narrow span of 13 degrees Celsius. Perhaps nowhere else in cooking is accurate temperature control as important as here. Even a degree off can result in an incorrectly cooked egg."

-Michael Brenner, Pia Sörensen, and David Weitz, Science and Cooking (2020)